FOUNDED in 1972, Soundmirror is a fully digital recording, post-production company specializing in acoustic music and sound for picture. Its staff has done extensive field recording around the world and has produced, edited, and mastered projects for over forty classical music labels. Its orchestral, solo, and chamber recordings have received numerous Grammy nominations (and awards) as well as special mention in Gramophone and Stereophile.

Designed for ultimate efficiency and comfort, its Boston studios are among the finest post-production facilities on the east coast. They are also a proving ground for cutting edge equipment: the first Lexicon Opus and the first Sonic 24-channel editor were installed and tested at Soundmirror. We're currently one of the very few companies offering SACD recording, editing, and mastering with both the Pyramix 8-track system and the Genex 48-track system.

Soundmirror currently works with the Boston, Buffalo, Kansas City, and Nashville orchestras archiving their concerts for future commercial use, internet use, and broadcasting. We produce a 13-week series for the Nashville Symphony and a 52-week broadcast for the Kansas City Symphony.

We've produced sixty multichannel SACD reissues of the RCA Living Stereo series for Sony BMG.

Soundmirror has recorded for virtually every major record label including Albany, Analekta, BMG, Cambria, CBS, Chandos, Decca, Denon, Deutsche Gramophon, EMI, Erato, Harmonia Mundi, Koch International Classics, N2K, Naxos, New World, Nonesuch, Philips Classics, Phonogram, RCA, Sony Classics, Telarc, Teldec, Virgin, and Warner/Elektra.

As orchestras and artists become ever more independent of record companies, we use our extensive experience in the industry to help these individuals and organizations achieve their recording goals

Soundmirror recorded two albums which collectively received eight nominations and two Grammy Awards at the 50th Anniversary Grammy ceremonies in 2008.