| ITEM |
DESCRIPTION |
RATE |
|
|
|
|
MICROPHONES |
|
| AEA |
|
|
| R84 |
Ribbon microphone |
35 |
| AKG |
|
|
| C414 EB |
Multi-pattern condenser microphone |
35 |
| C535 |
Hand held cardioid condenser microphone |
30 |
| BEYER |
|
|
| M88 |
Ribbon cardioid |
30 |
| M101 |
Dynamic omni |
30 |
| M130 |
Bidirectional ribbon |
30 |
| M160 |
Ribbon hyper cardioid |
30 |
| B&K (DPA) |
|
|
| 4006 |
Transformerless omni condenser |
40 |
| 4011 |
Transformerless cardioid condenser |
40 |
| 4015 |
Transformerless wide cardioid condenser |
40 |
| 4060 |
Miniature omni w/ 20/m extension cable |
25 |
| 4065 |
Miniature headband mounted omni |
25 |
| 4066 |
Miniature headband mounted omni |
25 |
| COLES |
|
|
| 4038 |
Classic BBC-designed ribbon microphone |
50 |
| Stereo support bar |
Blumline or AB
mount for 2 Coles 4038 mics, hanging |
25 |
|
or stand mount for two 4038's in coincident or AB
configuration |
|
| LECTRO |
|
|
| Wireless mic |
Model 200 UHF diversity system w/ belt pack |
150 |
| NEUMANN |
|
|
| TLM-50S |
Modern M50 derivative w/ extended low frequency response |
75 |
| TLM-170 |
Multi-pattern condenser |
45 |
| TLM-193 |
Cardioid only version of 170 |
35 |
| TLM 103 |
Single pattern cardioid microphone |
35 |
| KM-130 |
Single pattern omni |
35 |
| KM-131 |
Flat response omni |
35 |
| KM-140 |
Cardioid condenser |
35 |
| KM-143 |
Wide cardioid |
35 |
| KM-145 |
Speech cardioid |
35 |
| M50c |
Classic tube omni w/ "Blue" power supply |
200 |
| M49c |
Classic tube cardioid w/ "Blue" power supply |
200 |
| Active extension cables |
Miniature capsule extension cables & gooseneck stands
for KM 100 series |
30 |
| Phantom supply |
2-channel Neumann 48v power supply |
20 |
| SANKEN |
|
|
| CU-41 |
Twin capsule cardioid |
45 |
| SCHOEPS |
|
|
| CMC-6/MK2 |
Extremely flat response omni |
40 |
| CMC-6/MK2H |
Omni w/ mild high frequency emphasis |
40 |
| CMC-6/MK2S |
Omni w/ high frequency emphasis |
40 |
| CMC-6/MK21 |
Subcardioid |
40 |
| CMC-6/MK4V |
Side address cardioid |
40 |
| CMC-6/MK41 |
Hypercardioid |
40 |
| CMC-6/MK5 |
Switchable omni-cardioid |
40 |
| CMC-6/MK8 |
Bi-directional figure 8 |
40 |
| CMC-6/BLM 3 |
Boundary layer microphone |
40 |
| CMC-XT preamp |
Extended response preamp with any of above capsules |
45 |
| UMS-20 |
Universal stereo mic bracket, X-Y, M-S, ORTF |
30 |
| UMSC |
Universal miniature stereo bracket, X-Y, M-S, Blumlein |
30 |
| M222 |
Tube microphone preamplifier with all of the above
capsules |
75 |
| RC 1200 |
Standard Collette tube plus base (add mic) |
35 |
| Collette Cables |
5, 10, and 20 meter lengths |
35 |
| Collette Stands |
Miniature capsules extension cables and stands add mic |
35 |
| SENNHEISER |
|
|
| MD 421 |
Dynamic super cardioid |
25 |
| MKH-800 |
Multipattern condenser |
75 |
| SHURE |
|
|
| SM57 |
Dynamic studio cardioid |
25 |
| SM58 |
Dynamic "ball" cardioid |
25 |
| KSM141 |
Dual pattern condenser |
35 |
|
|
|
|
MICROPHONE PREAMPS AND SPLITTERS |
|
| AEA |
|
|
| MS Matrix |
2-channel MS encoder/decoder |
20 |
| APHEX |
|
|
| 188 |
Remote control mic pre/converter |
100 |
| ATI |
|
|
| M8X2 |
8 input mic preamp w/ limiters and 8x2 mixer, DA88 cables |
80 |
| BENCHMARK |
|
|
| MPS-400 |
5-channel mic preamp |
60 |
| MPS-400 |
with talkback |
80 |
| GRACE |
|
|
| 802 |
8-ch remote controlled mic preamplifier |
175 |
| 802 |
8-ch remote controlled mic preamplifier w/ 8-ch 2496 AD
converter |
225 |
|
Remote control for above preamps |
50 |
| HARDY |
|
|
| M2 |
1-channel reference mic preamp w/ stepped attenuators |
40 |
| M2 |
8-channel reference mic preamp w/ stepped attenuators |
175 |
| JENSEN |
|
|
| Mic splitter |
1-channel Jensen microphone splitter-dual isolated output |
25 |
| Mic splitter |
12-channel Jensen microphone splitter-dual isolated
output |
100 |
| Mic splitter |
24-channel single output |
150 |
| DI box |
Jensen DI box with pad filter and reamp capability |
25 |
| MILLENNIA |
|
|
| HV3D |
8-channel w/ 4 HV B&K optional inputs |
200 |
| HV3D |
8-channel without HV option |
175 |
| PRESONUS |
|
|
| Digimax 96K |
8-channel mic preamp w/ limiter and AD converters |
75 |
|
|
|
|
STANDS AND ROSTRA |
|
| BEYER |
|
|
| Mic stand |
Standard tripod stand w/ boom |
10 |
| MANHASSETT |
|
|
| Music stands |
|
10 |
| Stand lights |
|
5 |
| PIC |
|
|
| Mic Stand |
11' & 15' lightweight |
10 |
| QUARTZ LIGHTS |
|
|
| Silent stand lights |
300 watt silent orchestra lights w/ mic stand |
25 |
| ULTIMATE |
|
|
| Mic & speaker stands |
8' - 30' |
25 |
| Decca tree set |
Decca tree support, 10' - 15' |
75 |
|
|
|
|
CABLING |
|
| MOGAMI |
|
|
| 27-way mic snake |
165', on drum w/ stage box, pigtails |
100 |
| 12-way mic snake |
165', on drum w/ 2
stage boxes |
75 |
| 2534 Starquad cable |
Mic cables, 10M, 15M, 20M |
10 |
|
Inquire about MADI, AES, and computer cables |
|
|
|
|
|
POWER TRANSFORMERS / FILTERS |
|
| Balanced power |
100-140 volt input/115 volt output w/ filter |
100 |
| 5KW transformer |
100-240 volt input/ 115-230 volt output w/ filter |
60 |
| 3KW transformer |
100-240 volt input/ 115-230 volt output w/ filter |
50 |
| 750W transformer |
100-240 volt input/ 115-230 volt output w/filter |
40 |
| FURMAN |
|
|
| AR Pro |
100-250 volt electronic regulator |
85 |
| P-1800 AR |
100-120 volt electronic regulator |
50 |
|
|
|
|
MIXING CONSOLES |
|
| ATI |
|
|
| 8MX2 |
8 input mic pre-amp w/ limiters and 8x2 mixer, DA88
cables |
80 |
| BENCHMARK |
|
|
| MPS-400 |
5 input audiophile mixer |
60 |
| MPS-400 |
w/ monitor unit and talkback system |
80 |
| MACKIE |
|
|
| SR-24.4 |
w/ multipin inputs & snake |
75 |
| 1202 |
4 mic inputs |
25 |
| SONY |
|
|
| DMX-R100 |
50-input digital mixing console w/ MADI |
550 |
| STUDER |
|
|
| 962 |
14 mic/line inputs, 4 outputs |
325 |
| 961 |
7x4 5 mic/line inputs, 1 stereo input, 4 output, extended
monitor |
250 |
| 961 |
10 mic/line inputs, 2 outputs |
250 |
|
|
|
|
ANALOG OUTBOARD |
|
| AEA |
|
|
| MS matrix |
2 channel MS encoder / decoder |
25 |
| DBX |
|
|
| Compressor |
1046 4-channel compressor limiter |
35 |
|
|
|
|
DIGITAL RECORDERS |
|
| SONY |
|
|
| CDRW 66 |
CD recorder with balanced I/O |
75 |
| PCM 7030 |
Time code DAT |
225 |
| PCM 9000 |
24 bit magneto optical stereo recorder, AD, DA, TC, 9 pin
control |
250 |
| PCM 601 |
F1 set |
75 |
| R500 |
DAT machine |
60 |
| TASCAM |
|
|
| AE8-HR |
AE8-HR AES/TDIF to 24 bit format converter |
45 |
| CDRW-4U |
CD recorder |
60 |
| DA 302 |
Dual well DAT |
50 |
| DA 60 II |
Time code DAT |
250 |
| DA 78 HR |
8-track 24 bit hi-8 recorder |
125 |
| DA 98 HR |
8-track 24 BIT digital hi-8 recorder w/ time code &
machine control |
250 |
| DAP 1 |
Portable DAT mic inputs w/ phantom |
60 |
| DVRA-1000 |
CD/DVD recorder |
60 |
| MX2424 |
Multi channel HD recorder w/ AD/ DA/ AES/ TDIF |
165 |
| RC898 |
DA88 autolocator / remote |
50 |
|
|
|
|
WORK STATIONS |
|
| PYRAMIX |
48-ch, AES I/O, MADI, DSD |
300-600 |
| SAMPLITUDE |
32-ch 192K AES I/O |
200 |
| SSL |
64-ch 96K dual MADI |
450 |
| TASCAM |
MX2424, 24-ch 48K, 12-ch 96K, w/ internal mixer |
165 |
|
|
|
|
CD PLAYERS |
|
| DENON |
DN-C630 professional CD player |
35 |
|
|
|
|
MINI DISC RECORDERS |
|
| SONY |
|
|
| E-11 |
Professional mini disc recorder |
35 |
|
|
|
|
CONVERTERS & INTERFACES |
|
| APOGEE |
|
|
| AD500 |
Multiple word sync & video sync options |
60 |
| BENCHMARK |
|
|
| AD2004 |
4-ch AD converter |
50 |
| DAC1 |
2-ch DA converter |
50 |
| DCS |
|
|
| 904 |
24 bit stereo AD converter w/ DSD |
100 |
| 954 |
24 bit stereo DA converter w/ DSD |
100 |
| 992 |
Master clock |
100 |
| EMM LABS |
|
|
| ADC8 |
8-ch analog to digital converter |
275 |
| DAC8 |
8-ch digital to analog converter |
275 |
| Mytek |
ADDA 192 PCM/DSD |
200-250 |
| LEXICON |
|
|
| LFI10 |
Digital format converter w/ code reader and changer |
50 |
| OTARI |
|
|
| UFC-24 |
w/cables (ADAT/ AES/ TDIF /DASH/ PD/ SDIF) 24-ch format
converter |
90 |
| PRISM |
|
|
| MT 2024 |
20-24 bit word mapper for DA88's |
50 |
| SSL |
|
|
| Alpha Link SX |
48-ch analog/ AES/ MADI interface |
125 |
| Z SYSTEMS |
|
|
| Z Link 96+ |
24 bit 96 KHz sample rate converter |
50 |
|
|
|
|
REMOTE CONTROL & METERING |
|
| OTARI |
|
|
| TC 301 |
Portable time code reader |
15 |
| SONY |
|
|
| DMU 30 |
w/ cable and stand plate |
50 |
| TASCAM |
|
|
| RC 898 |
48 channel DA** remote control |
50 |
| TOTAL SYSTEMS |
Small 2-track digital meter |
40 |
|
|
|
|
SYNCHRONIZERS |
|
| ADAM SMITH |
|
|
| Z3 |
2 machine time code synchronizer |
60 |
| OPCODE |
|
|
| Studio 3 |
MIDI interface w/ SMPTE time code |
15 |
|
|
|
|
MONITORING |
|
| B&W |
|
|
| MPA 1 |
150 watt, monoblocks, speaker cables |
50/ea |
| MPA 810 |
1000 watt, monoblocks, speaker cables |
125/ea |
| 801 matrix III |
Full range reference monitor |
175/pr |
| 802 Diamond |
New series replacement for 801 |
400/pr |
| 805 Nautilus |
Stereo small full range monitor |
100/pr |
| 805 Nautilus Surround |
5-channel full range monitor with stands |
350/set |
| EMM LABS |
|
|
| SWITCHMAN |
Multichannel controller with talkback |
175 |
| FOSTEX |
|
|
| 6301B |
Self-powered personal monitor |
25/ea |
| MACKIE |
|
|
| SRM150 |
Powered speaker with mixer |
30/ea |
| SRM450 |
Powered speaker |
50/ea |
| QUAD |
|
|
| 606 |
150 watt stereo amp |
80 |
| ROTEL |
|
|
| 991 |
150 watt stereo amp |
100 |
| 993 |
150 watt 3-ch amp |
125 |
| 1077 |
100 watt 7-ch amp |
100 |
| 1095 |
150 watt 5-ch amp |
200 |
| SENNHEISER |
|
|
| HD580/600 |
Headphones |
10 |
| SONY |
|
|
| MDR-V6 / 7506 |
Stereo headphones |
15 |
| CD-850 |
Stereo headphones |
15 |
| STAX |
|
|
| Lambda Pro/SRM 1 |
Electrostatic headphones w/ amplifier |
50 |
| SYMETRIX |
|
|
| SX-204 |
4 channel headphone amplifier |
25 |
|
|
|
|
COMMUNICATION |
|
| AIPHONE |
|
|
| Telephone |
2-station telephone intercom |
30 |
| SONY |
|
|
| CCD-G5 |
Color camera w/ tripod |
50 |
| MACKIE |
|
|
| SRM 150 |
Talkback monitor |
30/ea |
| MOTOROLA |
|
|
| Spirit |
2 watt, single channel UHF walkie-talkie |
25/pr |
| Walkabout GPRS |
1/2 watt 16 channel |
25/pr |
| NEC |
|
|
| 10" monitor |
10" color monitor |
50 |
| POLAROID |
|
|
| 19" monitor |
16 x 9 LCD monitor HDMI/ composite/ component |
50 |
| FOSTEX |
|
|
| 6301B |
Self-powered personal monitor |
25 |
| TELEX |
|
|
| Wireless Intercom |
BTR200 five-station, four-belt pack wireless intercom |
400 |
|
|
|
|
REVERBS |
|
| BRICASTI |
|
|
| M7 |
Stereo reverb |
150 |
| LEXICON |
|
|
| 300 |
24 bit effects processor |
125 |
| PCM 91 |
24 bit effects processor |
75 |
| TC |
6000 reverb, multichannel, multiengine |
400 |
|
|
|
|
ACOUSTICAL MATERIALS & BLANKETS |
|
| Brown Blankets |
Six 12' x 12' blankets w/ Ultimate Support stands |
175 |
| Grey Blankets |
Ten 8' x 33' blankets in hamper, enough absorption for
small concert hall |
250 |
| Grey Blankets |
6' x 8' individual |
10 |
| Canvas |
8' x 30' floor covering |
15 |
| Diffusers |
2' x 4' x 1", rack of 8 |
100 |
| Gobos |
Short 30" tall, 36" wide |
20 |
| Gobos |
Tall 72" tall, 36" wide, 24" window on top |
25 |
| Gobos |
2' x 4 'x 4" fiberglass filled box |
20 |
|
|
|
|
|
|
|
|
|
| TERMS |
|
|
| Minimum rental is
$50. |
|
|
| COD or credit
card (MC/VISA) |
|
| All rates are per day. |
|
|
| First week's
rate is billed at 5x the daily rate. |
|
| Clients must
show evidence of insurance coverage by providing a Certificate of Insurance
naming |
|
| Soundmirror
Inc. as additional insured and loss payee. In lieu of a Certificate of
Insurance, the client |
| must leave a
cash or credit card deposit. Deposits will be returned only after all
equipment has been |
| returned and
inspected by our technical department. |
|
| Any problems
with equipment must be reported immediately in order to be considered for
adjustment. |
| Soundmirror
will not be responsible for problems after the termination of the rental. All
claims |
|
| must be
determined valid by Soundmirror's technical staff. |
|
| All shipping
will be billed at cost. |
|
|
|
|
|
|
|
